I am taking author Joshua Ginsberg's usual spot at Tiger Dust this Friday. I will have an assortment of creative reads and copies of the Beast Mode DVD!
The Home of Author, Writer, and Creative Michael Lortz
I am taking author Joshua Ginsberg's usual spot at Tiger Dust this Friday. I will have an assortment of creative reads and copies of the Beast Mode DVD!
Check out this review of Joel D Wynkoop's Beast Mode by youtube movie reviewer Septum Sin. Septum Sin has seen other Joel movies and is a fan of independent cinema. This is a good review that gives a overview of the plot and production of the movie.
If you want a copy of Beast Mode, either contact me or find Joel Wynkoop on Facebook and send him a DM.
Joel D. Wynkoop’s new movie Beast Mode was shown for the first time a few weeks ago at the Tampa Bay Screams horror festival in Clearwater, Florida. As I might have mentioned a few dozen times, I am in the movie as newscaster Jordi Scrubbings. I want it to be a cult classic, viewed by thousands in indie theaters everywhere. But to get there, it has to be good. And so far, according to reviews, it is.
Here is a great review indie horror director Phil Herman posted on imdb.com. Parts about me are italicized by me. Perhaps acting can be another creative arrow in my quill. Even if this is my only role ever, Jordi Scrubbings will live forever in cinema, and that makes me happy.
Currently, Beast Mode is only available by contacting Joel Wynkoop. I hope to have DVD and Blu-Ray copies soon and hopefully it will be on a streaming platform in the near future. I will be sure to let everyone know.
Joel D. Wynkoop returns with another wild, energetic ride in Beast Mode!
Joel D. Wynkoop returns with another wild, energetic ride in Beast Mode a Low budget horror comedy that proudly embraces everything fans have come to expect from his filmmaking style: outrageous fun, over the top characters, practical effects, humor, heart, and pure independent movie passion.
Written, directed by, and starring Joel D. Wynkoop himself, Beast Mode tells the story of Mark Butters, an ordinary man with dreams of becoming a superhero. But instead of turning into the savior he imagines, fate has other plans when he accidentally transforms into something monstrous. From there, the film launches into a chaotic blend of horror, comedy, and creature feature madness that never takes itself too seriously and honestly works better because of it.
The Jordi Scrubbings Show opens the movie with a hilarious talk show host performance by Michael Lortz that perfectly sets the tone for the insanity that’s coming. It immediately throws you into the bizarre world of Beast Mode while introducing us to Mark Butters, played by Joel D. Wynkoop.
Busty Barbara and Happy Mary are absolutely hysterical in the opening sequence as they’re chased by a werewolf and handle the situation exactly how you’d expect in this kind of over-the-top universe. Their performances are genuinely funny and help introduce our humble but troubled hero, Mark Butters.
Mark is a character who mixes fantasy with reality, costing him both his job and his marriage. Beneath all the outrageous comedy and creature chaos, there’s actually something sad about him. As the film progresses, the innocent and humble Mark slowly festers on the edge, and by the end I honestly found myself feeling bad for him.
A special appearance by Bob Glazier as Mark’s grandfather is surprisingly heartwarming and leads into a montage that helps explain why Mark becomes what he does not the superhero of his dreams, but a monster instead. It adds an unexpected emotional layer to the madness.
What makes Beast Mode enjoyable is that it knows exactly what kind of movie it wants to be. This isn’t polished Hollywood horror it’s unapologetically independent filmmaking driven by creativity and personality. Joel D. Wynkoop has always made films for people who appreciate grassroots cinema, cult horror, and filmmakers who simply love making movies. That passion shows in every scene.
The practical monster effects and makeup have a gritty charm that old school horror fans will appreciate, and the movie keeps a fast pace with plenty of bizarre moments, laughs, and entertaining performances. There’s a fun “anything can happen” energy throughout the film that keeps it engaging.
The supporting cast also adds to the fun. Horror legend Lloyd Kaufman brings his trademark cult-film presence, while scream queen Debbie Rochon delivers exactly the kind of genre performance fans will enjoy. Anthony Wayne, M Catherine Wynkoop, Sean Donohue, Dustin Hubbard, Jose Dieguez, and Jim Tanner all help create the movie’s fun ensemble atmosphere.
One of the biggest strengths of Beast Mode is its personality. It feels handmade in the best possible way like a group of friends got together to create something entertaining for horror fans rather than chasing trends or studio formulas. That sincerity gives the film charm and makes it easy to root for.
Fans of underground horror, Troma style comedy, creature features, and classic shot on video cult cinema will likely have a blast with this one. It’s the type of movie best enjoyed with fellow horror fans who appreciate practical effects, outrageous situations, and filmmakers who wear their love for cinema on their sleeve.
And definitely stay through the end credits there’s a fun final scene that makes it worth it.
In closing, we seriously need a weekly Jordi Scrubbings Show. I loved every one of his segments.
Beast Mode isn’t trying to reinvent horror it’s trying to entertain, and it succeeds through enthusiasm, creativity, humor, heart, and pure indie spirit.
I will be at the Citrus and Sage Bookshop this Saturday from 10am to 3pm selling and signing Curveball at the Crossroads!
Should be a great time! Come by, pick up a book, get a cup of coffee or tea, and support local bookstores and support local authors!
I had an interesting conversation with a Gen Z person the other day. She confirmed what I have been reading for a while now – that younger people are starting to rediscover physical media and no longer relying on streaming services as much. For years, we have seen vinyl record sales growing, but that was always a niche. Physical books made a comeback in the last decade or so, thanks in part to Booktok. E-books, Kindles, etc are still a tool for travelers or minimalists, but I think most avid readers want a book in hand.
If it was only vinyl collectors and book lovers, the physical renaissance would be niche. But there is an underground of people, from Gen X nostalgists to curious Gen Zers, who are embracing DVDs, CD, tapes, records, books, and all other form of physical media. Not only that, but they are also embracing radio as well as in-person experiences. Perhaps it is the rejection of our algorithmic overlords or perhaps it is an embrace of what we lost during COVID, but I am seeing more younger people interested in the mediums and technology of previous generations.
An interesting Substack article dropped into my feed the other day. Written by Michelle Lhooq, a psychedelics and rave journalist, the article is about a rave in Los Angeles and how rave culture provides not only an escape, but a way of life, a continuation of the Turn On, Tune In, Drop Out mindset of the 1960s. I read a lot a Timothy Leary, Ken Kesey, and Aldous Huxley in the late 90s and the late 60s always fascinated me. Lhooq carries these philosophies through rave culture, which has always had the trippy drug elements. The rave can be both escape and lifestyle, depending on how integrated one makes it.
The fact that I found this article in my email brings me back to my conversation with the Gen Zer. When we were talking about counterculture, we agreed that to be counterculture now means to be offline. I mentioned that if you Google “counterculture”, you find pictures of hippies and the 1960s. You don’t find pictures of people who are offline. It is logically impossible.
That is the true modern counterculture. It is not in your algorithm. It is not televised. It is not Google-able. It might not even be on the Dark Web.
(Is anyone still on the Dark Web besides hackers and blackmarket dealers? That’s a post for another day.)
I am not talking luddites either. I know people who don’t want to be on social media for privacy reasons or they believe the government is using it all to collect our data or turn us into mindless capitalist zombies mired in mediocre media slop.
In a way, that last part is true. In another recent article, music culture and historian Ted Gioia wrote that popular art really hasn’t progressed since the 1990s. Mega media platforms have flooded us with unoriginal, recycled slop, whether they be rehashed movies or straight up AI-produced garbage. By only greenlighting crap, only crap gets produced, consumers get used to the crap, and art gets numb. Add in the need to monetize everything, and risky art is not part of the business plan.
In his next article, Gioia writes about how through recycling, creativity is hurting. There are no new movements. No excitement. No experimentation.
He closes with the following:
“This limp, empty approach to culture is a dead-end. People will soon demand something more from the creative economy—something riskier, something more inspiring, something more disruptive. Above all, they will insist on something more human.
Or maybe they will even seek out something more timeless on a larger scale. This would be a kind of art-making that contributes to human flourishing and a deeper understanding of who we are and what we can do.
They are unlikely to get it from the large entertainment platforms. And I’m even more certain that they won’t get it from an AI chatbot. But sooner or later, people will find it somewhere.
I know that because I can feel the hunger for it everywhere. You tell me this in your comments and emails. I feel it myself.”
But ….
Let’s pick up the pieces we’ve scattered through this article. What if Ted Gioia isn’t talking to Gen Z folks who clamor for more than what they have been fed by their algorithms? Unfortunately, they don’t know where to look. In my conversation with the Gen Zer, I told her about local bookstores and local radio stations, places that I go for new media. But as a Gen Xer, I have to be careful. A conversation can’t be a lecture. I can’t rant about “back in my day …”. I have to leave a few breadcrumbs, a few links, a few addresses, or a few Reese’s Pieces and let the younger generation discover their own way and embrace their own creativeness. They might create something totally new and fresh.
Maybe they already have.
What if the creative economy is alive, but it lives underground? Some might say the underground has always been creative. That’s definitely true. But what if the counterculture is not weak, but strong and vibrant. But you, I, and Ted Gioia don’t know where to find it because we have been trained for so long to look online for our answers. Looking on the internet for answers has become instinct. Again, can something exist if it isn’t online?
We might be going back to a time of flyers and zines and handouts and word-of-mouth events. We might see flyers for cultural events with the caveats “don’t post this” and “no phones”. Maybe we even go back to a world where people exchange offline media to build buzz for an event or a band or writer or a performer. Once it goes online, even in an article, the mystery will be gone.
That is true counterculture. And it won’t be in your algorithm.
A few weeks ago, I was mindlessly swiping through tiktok when I saw a video by a young creator detailing how difficult life is in Tarpon Springs, FL. But the video was seeped in irony as he was by the beautiful sponge docks in the small historic fishing town. The video was absolutely hilarious and had hundreds and thousands of views.
Being that I have an upcoming book festival appearance in Tarpon Springs (Saturday 4/25, 10am to 4pm), I wanted to know what was up. What was this video referencing? It took me a few additional minutes to find that famous video gamer Jynxzi had recently gone on a rant about growing up in Tarpon Springs. When Jynxzi tried to bring up pictures of his tough side of town, all he found was images of the tourist areas. Whether or not he set himself up is unknown, but he rolled with it well. It is definitely a huge self-own.
After a few tiktokers posted the clip, others ran with the audio and the theme to hilarious results. The videos got so big that Tarpon Springs now has its own mention on KnowYourMeme. That’s how you know you’ve made it.
Being the entrepreneuring and resourceful creator that I am, and never one to pass an easy opportunity, I used Jynxzi’s new trend to promote my upcoming appearance at the Tarpon Springs Book Festival. I drove up to Tarpon Springs and made my own tough video where I sat on a curb and talked about slanging products on the streets - the products of course being my books.
This tiktok and another I made about the trend are my most popular tiktoks, far eclipsing any of my previous videos. I’m by far the oldest person making videos about Tarpon being tough, but no one seems to care. I was a little worried about jumping on a trend done mostly by ironic kids, but the likes and positive comments say otherwise. One commentor actually said “that is how you advertise!”. I won’t do anymore, but showing that I get it, running with it, and adding something new to the discourse allowed me to fit in.
You gotta be a real sponge, because ain’t nothing sweet in Tarpon Springs.
Wrapping up my latest cinematic adventures. If you want to read all my movie reviews, check out my profile on letterboxd.
One of my favorite movies ever. I saw it 30 years ago and it stayed with me like herpes. The need to watch it again flared up and I embraced it with all its glory. It’s gross, it’s bloody, it’s cheap, it’s fun. Everything video herpes should be.
Grade: 5 moonshine still stars out of 5. They don’t get much better than this.
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Pro Wrestlers vs Zombies (2014)
I’ve seen Strippers vs Zombies, Zombies vs Strippers, Abraham Lincoln vs Zombies, Kung Fu vs Zombies, and Ninjas vs Zombies. All better than this.
If WWF legend Rowdy Roddy Piper is carrying your movie, that’s not saying much. I like Roddy Piper. But he should be a fun side character. Not your main event.
So many plot holes, missed spots, botches, and stiff acting. I like low budget movies. I like Troma Films. I like zombie flicks. I like wrestling. I loved The Unbreakable Bunch. This was not good.
Grade: 2 botched zombie slams out of 5
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Master of the Flying Guillotine (1976)
You don’t watch kung fu for the plot. You watch for the fight scenes. And this is one of the best. Also the basis of a lot of video game characters from Mortal Kombat to Street Fighter. Definitely a movie to lose your head for.
Grade: 5 flying stars out of 5
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From the bowels of Geoffery Chaucer’s The Miller’s Tale and Shakepeare’s bawdy toilet humor comes 2003’s epic horror comedy Monsturd. It’s lewd, it’s crude, it’s sophomoric and amateur. But therein lies the beauty of Monsturd.
A prisoner escapes, gets mixed with toxic waste, and becomes a killer shitmonster. This is the kind of story we will be telling for generations to come. It is relatable on every level because everyone poops.
500 years from now our great-great-great-great-great-great grandchildren will appreciate Monsturd, just as today we appreciate Chaucer’s lewd humor of the 16th century.
Grade: 4 peanut poops out of 5
Here it is! As we get closer to release of my new novel, Chaos in the Corner, I wanted to drop the cover art.
I am really excited about this cover. The art is done by Dell Barras, artist for Marvel, DC, and other comic companies. Color was done by BrokenOptics, definitely check him out. He has done art for a lot of pro wrestlers and entertainers. I recommend both of these guys. Working with them was great.
They gave a very unique look to my novel. I think the comic book vibe will attract more wrestling fans who might be regular book readers or book store visitors.
I also made a promo video for the cover. Check it out.